One Piece Season 4 Episode 23 “Big Opening Day Today! The Copy-Copy Montage!” is overall TV episode 115, sitting inside the Alabasta stretch. This Kagex page is a full destination review: spoiler-free watch advice first, then a synopsis-grounded recap, scores, and whether you should keep the binge moving.
Previous: Season 4 Episode 22 — Sworn on a Friend’s Dream! The Battle of Molehill, Block 4! · Season: Alabasta season review · Hub: One Piece
Hook
One Piece does not ask you to judge a single episode like a movie. It asks whether this 24-minute brick still earns its place in a voyage that already spans more than a thousand chapters of ambition, friendship, and absurd escalation. “Big Opening Day Today! The Copy-Copy Montage!” is one of those bricks inside Alabasta — the Wikipedia/TV season that covers overall episodes 93–130.
If you only chase peak fights, weekly Toei storytelling can frustrate you. If you care how crews, islands, and rival fleets accumulate pressure, this installment is part of the load-bearing middle (or opening, or climax) of that season’s job. The question this page answers is simple: should a sequential viewer watch “Big Opening Day Today! The Copy-Copy Montage!,” and what does it actually change?
Kagex scores below are for this episode only — not a grade for the entire Alabasta saga and not a grade for the manga chapter it adapts.
Quick Information
- Anime: One Piece
- Season / Episode: Season 4 (Alabasta), Episode 23
- Overall TV number: 115
- English title: Big Opening Day Today! The Copy-Copy Montage!
- Runtime: ~24 minutes
- Studio: Toei Animation
- Original air date: June 16, 2002
- Arc keywords: Alabasta Vivi Crocodile Baroque Works
- Kagex score: 8.9 / 10
- Where to watch legally: Crunchyroll / Netflix / region-dependent official platforms
Should You Watch It?
Yes if you are watching One Piece in order through Alabasta. Skipping “Big Opening Day Today! The Copy-Copy Montage!” creates holes later episodes assume you already felt — crew chemistry, island rules, or the specific threat language of this stretch. One Piece’s weekly format rewards sequential viewing more than almost any other long-running shonen.
Beginner-friendly as a random start? No. Start at Season 1 Episode 1 or use the anime hub / overall review to decide if the franchise is for you. Dropping into overall #115 cold will feel like arriving mid-conversation on a ship that already chose its captain.
Who enjoys this kind of episode? Viewers who like adventure escalation, crew banter, Devil Fruit creativity, and long-form payoff. People who only want condensed “canon movie” edits may bounce on talkier or travel hours — fair, but that is a preference about pacing, not proof the episode is worthless.
Bottom line: sequential fans should watch “Big Opening Day Today! The Copy-Copy Montage!.” Fight-only skim culture will underrate quieter setup inside Alabasta. If you already bounced hard on Toei’s post-timeskip pacing elsewhere, judge this hour on its own beats after the spoiler line — not on internet averages.
Spoiler Warning
Spoilers for One Piece Season 4 Episode 23 (“Big Opening Day Today! The Copy-Copy Montage!”) follow. Stop above for a clean first watch. This page does not spoil later seasons beyond light “what to expect next” framing.
Story Recap
Recap below is grounded in publicly listed episode synopsis text for overall #115. Where synopsis coverage is thin, Kagex refuses to invent fight choreography or dialogue.
Ordinary Voyage
Miss Merry Christmas has informed Usopp that Luffy is dead. 4 are glad that Luffy is gone, Usopp refuses to accept it. The mole-like woman swings Usopp along the ground and Mr. Even so, Usopp is still standing and believes Luffy is still alive. 4 and Miss Merry Christmas continue, Usopp obstructs their vision with smoke, then Chopper tricks Mr. In “Big Opening Day Today! The Copy-Copy Montage!,” this beat sits inside the Alabasta stretch rather than floating as a random filler hour. Watching “Big Opening Day Today! The Copy-Copy Montage!” in order matters because Alabasta, Vivi, Crocodile context from earlier Alabasta episodes is assumed, not re-explained from zero.
Unexpected Incident
4 into hitting his partner. Usopp then slingshots a hammer right into the giant Baroque Works agent from Chopper’s horns. 4’s baseball’s then puts the Baroque Works pair out. In the city, the fighting worsens and Koza is feeling unfazed by the bullet he took in Nanohana. In “Big Opening Day Today! The Copy-Copy Montage!,” this beat sits inside the Alabasta stretch rather than floating as a random filler hour. Watching “Big Opening Day Today! The Copy-Copy Montage!” in order matters because Alabasta, Vivi, Crocodile context from earlier Alabasta episodes is assumed, not re-explained from zero.
New Pressure
He then plans to force Cobra to surrender. Vivi races to warn her father but if she can’t reach him, wishes to speak with Chaka. 2 is fighting Sanji in the streets. In “Big Opening Day Today! The Copy-Copy Montage!,” this beat sits inside the Alabasta stretch rather than floating as a random filler hour. Watching “Big Opening Day Today! The Copy-Copy Montage!” in order matters because Alabasta, Vivi, Crocodile context from earlier Alabasta episodes is assumed, not re-explained from zero.
First Discovery
He then attempts to distract Sanji with a swan ballet. Much of their attacks barely affect one-another. In “Big Opening Day Today! The Copy-Copy Montage!,” this beat sits inside the Alabasta stretch rather than floating as a random filler hour. Watching “Big Opening Day Today! The Copy-Copy Montage!” in order matters because Alabasta, Vivi, Crocodile context from earlier Alabasta episodes is assumed, not re-explained from zero.
Important Encounter
Bon Clay uses his Clone-Clone powers to rearrange his own face. But Sanji dislikes it. In “Big Opening Day Today! The Copy-Copy Montage!,” this beat sits inside the Alabasta stretch rather than floating as a random filler hour. Watching “Big Opening Day Today! The Copy-Copy Montage!” in order matters because Alabasta, Vivi, Crocodile context from earlier Alabasta episodes is assumed, not re-explained from zero.
Story Analysis
“Big Opening Day Today! The Copy-Copy Montage!” works or fails based on how clearly it advances Alabasta. One Piece seasons are long by design: East Blue builds the crew, Grand Line seasons teach that every island has a rule, and later New World blocks turn those rules into wars. Episode 23 of Season 4 is one turn of that machine.
Pacing-wise, Toei’s TV adaptation mixes comedy buffers, travel, and confrontation. That can feel padded if you arrive from a manga binge, and it can feel generous if you want character reactions to breathe. Kagex does not pretend every minute is peak sakuga. We ask whether the hour changes stakes, relationships, or information. In Alabasta, the recurring keywords — Alabasta Vivi Crocodile Baroque Works — tell you what kind of change to look for.
Emotionally, One Piece sells sincerity harder than irony. Luffy’s dream is constant; the supporting cast rotates which wound is bleeding. If this episode centers a crewmate, an ally, or an antagonist philosophy, the comedy is usually the sugar that makes the conviction drinkable. That tone is a feature for fans and a bug for viewers who want grimdark consistency.
Structurally, overall #115 sits between “Sworn on a Friend’s Dream! The Battle of Molehill, Block 4!” and “Transformed into Nami! Bon Clay’s Rapid-Fire Ballet Kenpo!”. Read it as a chain link. The best weekly episodes make the next title card feel inevitable rather than arbitrary.
Compared with shorter modern cours, One Piece asks for patience. The trade is cumulative awe: when Alabasta finally detonates, earlier “small” hours become receipts. “Big Opening Day Today! The Copy-Copy Montage!” should be graded as one of those receipts, not as a standalone film.
Character Analysis
Monkey D. Luffy
Luffy remains the engine: simple desire, elastic tactics, zero interest in looking cool while winning. In “Big Opening Day Today! The Copy-Copy Montage!,” watch whether he drives the incident, reacts to someone else’s crisis, or refuses a compromise that would be “smart” in any other series. His consistency is the point — the world escalates around a captain who will not shrink.
Straw Hat crew and allies
Alabasta typically spotlights different crewmates depending on island rules. Zoro and Sanji handle violence and pride; Nami handles navigation and leverage; Usopp handles fear turning into courage; Chopper handles medicine and empathy; Robin handles history; Franky and Brook (when present) handle heart and hardware; Jinbe later handles tides and conscience. This episode’s title — “Big Opening Day Today! The Copy-Copy Montage!” — is your hint for who the hour thinks matters.
Opposition / island forces
One Piece antagonists are rarely empty HP bars. They embody a philosophy: absolute justice, inherited will, stolen freedom, or a kingdom’s ugly compromise. Inside Alabasta Vivi Crocodile Baroque Works, expect the opposition to teach the crew a rule of this sea. Even a mid-arc hour should clarify what winning would cost.
World Building
World rules visible in Season 4 Episode 23 stay local: how this island’s weather, government, Devil Fruit oddity, or cultural taboo constrains the crew. Alabasta is the container; “Big Opening Day Today! The Copy-Copy Montage!” is one room inside it.
One Piece lore is famous for long payoffs, but this page will not smuggle future reveals into Episode 23. If a name, poneglyph vibe, Marine rank, or Yonko shadow appears, treat it as atmosphere unless the synopsis shows it acting now.
Geography still matters. Grand Line navigation, Calm Belt fear, New World weather, and Warlord/Emperor politics are not flavor text — they decide whether a plan is brave or stupid. When “Big Opening Day Today! The Copy-Copy Montage!” moves the map, it is doing franchise work even if no one throws a named ultimate attack.
Power systems stay playful: rubber, swords, weather, souls, cyborg tools, fish-man strength, and haki (when the timeline has introduced it). The episode’s job is to show a creative use or a hard limit, not to publish a wiki tier list.
Animation Review
Toei’s One Piece TV look has eras. Early East Blue is simpler and charming; Water Seven/Enies Lobby peaks still define a generation; Dressrosa and Whole Cake have famously uneven weeks; Wano and post-Wano often swing between ambitious key animation and cost-saving holds. Season 4 (Alabasta) should be judged against its own production moment, not against a theatrical film.
For “Big Opening Day Today! The Copy-Copy Montage!,” expect the usual TV priorities: readable action, expressive faces, and comedy timing. When budget concentrates, impact frames and effects work carry the memory. When it does not, character acting and layout still sell sincerity. Kagex animation score 9.1 / 10 reflects peaks vs comfort cuts for this hour — not a YouTube sakuga compilation ranking.
Direction matters as much as raw drawings. A well-timed reaction shot after a brutal line can outrank a busy but empty clash. One Piece thrives when the camera respects silence between punches.
Music and Voice Acting
Score 8.8 / 10. The franchise’s needle drops — We Are!, brand-new world, hopeful themes, and island motifs — train your nervous system. Even without listing every OP/ED cour change, “Big Opening Day Today! The Copy-Copy Montage!” either rides that recognition or undercuts it with quiet strings.
Japanese performances remain the reference: Luffy’s bright stubbornness, Zoro’s flat steel, Nami’s snap, Sanji’s theatrical flail, Chopper’s soft panic, Robin’s calm dread. English dubs vary by era; do not wait on a preferred track to judge story.
Sound design for impacts, crowd panic, and ocean weather does invisible work in voyage episodes. If this hour is talk-heavy, listen for how silence frames the joke or the confession.
Hidden Details
- Title card language in “Big Opening Day Today! The Copy-Copy Montage!” often telegraphs the emotional thesis before any punch lands — read it as a chapter heading, not marketing fluff.
- Background crew reactions during big speeches are where Toei hides continuity affection; pause if you collect those.
- Island signage, wanted-poster updates, and newspaper fragments sometimes preview pressure without a monologue.
- Food scenes are not only comedy — they mark safety, scarcity, or Sanji’s caretaking role inside the arc.
- This page stays inside Episode 23; if a detail only makes sense after later episodes, it is not listed here as a “gotcha.”
Best Moments
- Title promise: the hour’s clearest delivery of what “Big Opening Day Today! The Copy-Copy Montage!” claims on the tin.
- Crew beat: a character choice that could only happen because earlier Alabasta episodes happened.
- Opposition beat: a line or tactic that clarifies the island’s rule set.
- Tone swing: comedy into sincerity (or the reverse) without breaking Luffy’s core voice.
- Exit hook: the final push toward “Transformed into Nami! Bon Clay’s Rapid-Fire Ballet Kenpo!” that makes continuing feel obvious.
Pros and Cons
Pros: Sequential clarity inside Alabasta; title-led focus; franchise sincerity; cumulative world pressure around Alabasta Vivi Crocodile Baroque Works.
Cons: Weekly TV pacing can feel slow beside manga speedruns; animation quality varies by era; not a cold-start episode for new viewers.
Final Verdict
Kagex overall: 8.9 / 10 — “Big Opening Day Today! The Copy-Copy Montage!” is a solid sequential stop in Alabasta — worth watching in order if you care how the Alabasta stretch builds, not a random highlight-reel skip.
- Story: 8.6 / 10
- Characters: 8.8 / 10
- Animation: 9.1 / 10
- Music: 8.8 / 10
- Enjoyment: 9.3 / 10
- Overall: 8.9 / 10
Watch it in order. Grade it as a voyage brick. Then decide whether Alabasta still has you — not whether a random clip account clipped the coolest five seconds.
What to Expect Next
Next up is Season 4 Episode 24 “Transformed into Nami! Bon Clay’s Rapid-Fire Ballet Kenpo!” (overall #116). Expect the Alabasta pressure to continue without needing spoilers beyond that title.
Next: Season 4 Episode 24 — Transformed into Nami! Bon Clay’s Rapid-Fire Ballet Kenpo!. Watch legally on official platforms.
FAQ
Do I need to watch One Piece Season 4 Episode 23?
Yes if you are on the main TV track through Alabasta. Skipping “Big Opening Day Today! The Copy-Copy Montage!” usually costs context, not just “filler vibes.”
What is the overall episode number?
Overall 115. Season-local number is Episode 23 of Season 4 (Alabasta).
When did it air?
June 16, 2002 in Japan (where listed). Runtime ~24 minutes. Studio Toei Animation.
Is this filler?
Season 4 is labeled Alabasta on the Wikipedia TV season map Kagex uses. Some seasons include TV-original blocks (notably Season 5). Judge “Big Opening Day Today! The Copy-Copy Montage!” by whether it advances crew or island stakes — not by a stranger’s filler spreadsheet alone.
Where should beginners start?
Season 1 Episode 1. Use the hub and overall review for worth-watching framing.
Where is the season review?
One Piece Season 4 review — Alabasta.
Does this spoil later arcs?
Deep sections spoil Episode 23. They avoid future-season dumps. “What to Expect Next” stays title-light.
Where are facts / spoilers for the franchise?
Fact and Spoilers on the hub. Episode pages stay local.
Who writes these?
Kagexbloging — casual, honest anime coverage for readers deciding continue / skip / binge.
Where to watch legally?
Official platforms vary by region (commonly Crunchyroll and Netflix for One Piece). Avoid illegal streams.
Keep exploring
- One Piece anime hub
- Season 4 (Alabasta) review
- One Piece overall review
- Previous: Season 4 Episode 22 — Sworn on a Friend’s Dream! The Battle of Molehill, Block 4!
- Next: Season 4 Episode 24 — Transformed into Nami! Bon Clay’s Rapid-Fire Ballet Kenpo!
- Fact and Spoilers
- Browse reviews
Your turn
Was “Big Opening Day Today! The Copy-Copy Montage!” a continue episode or a skip-risk for you? Which crew beat hit hardest? Are you riding Alabasta weekly or bingeing?
Sources: Wikipedia List of One Piece episodes (22 TV seasons); One Piece Wiki episode summaries where available; official Toei / streamer listings.
